All Resources

This export script automatically parents imagePlanes to the camera in recent versions of Maya for smoother workflows.

Building on the internal Camera Library introduced in our last major release, we are opening up our Sensor Preset Database to third parties.

We are thrilled to announce the immediate release of the first in a series of significant updates to our professional camera tracking and matchmoving solution...

New to PFTrack Solo? This 4-minute quick start guide takes you from project creation to 3D export. Master camera tracking, solving, and orienting with ease.

This example PySide2 script lets you quickly jump to and activate any node via a popup window in PFTrack. It’s a solid starting point you can build on to streamline and customise your workflow.

This script exports each tracker in your project as a separate ASCII file, providing precise frame-by-frame coordinates.

A selection of tracking tree presets showing how to solve your camera using a mix of different nodes, ranging from simple to more complex configurations.

A couple of basic tracking trees designed for simple camera tracking and object-solving tasks. These trees offer an efficient starting point for common tasks, allowing you to work quickly and effectively.

This script can be used to transfer the motion from a moving object geometry track to a camera, keeping the object locked in position in the first frame.

This is an experimental export script for exporting cameras and points from PFTrack 24.12.19 and later to Jawset Postshot for Gaussian Splat training.

Learn how to create your first project, import example clips, and get a brief tour of the UI.

Learn the basics of how to automatically track and solve an example clip to enhance your VFX skills.

In this video, we'll cover how to reorient your virtual camera, correctly scale your 3D scene, and export your completed 3D scene.

Learn how to refine your solved camera using these essential techniques.

Explores the intricacies of sensor size and demystifies key terminology to help you with your camera tracking projects.

What is lens distortion, and what is distortion calibration? Why is it crucial for your camera tracking and visual effects workflow?

What’s the difference between automatic and manual tracking? Which is better? When should I use one instead of the other?

Knowledge of camera movement, shot size, and angle is essential for all skilled matchmove artists. When directors, editors, and cameramen refer to particular types of camera shots, the terminology can sound like a foreign language if you’re unfamiliar.

Understanding the language used for shot size/camera angles and combining them with the terms used for camera motion can help you identify and communicate the type of shot you have been assigned.

In this article, we focus purely on the lens, a component many consider to be the most influential factor in a film's look. But how does it influence the way we matchmove?